• http://www.delicious.com/nunocorreia/audiovisual

Currently, more than 300 audiovisual links can be found in my Delicious.
By combining related tags, specific types of audiovisual projects can be found, such as net art:

• http://www.delicious.com/nunocorreia/audiovisual+netart

And mobile apps:

• http://www.delicious.com/nunocorreia/audiovisual+artapp

Many other links can be found in my Delicious, with particular emphasis (besides “audiovisual” on “newmediaart” and “audio” tags:

• http://www.delicious.com/nunocorreia

• Honorary mention for digital musics and sound art at the 2010 Ars Electronica festival.

Auditorium (Electronic Arts)

• Sound game, also available in web version.

Biophilia (Bjork)

• An “app album”, each song in the music album has its own app. Developed in collaboration with Scott Snibbe and others.

Bloom (Opal Limited)

• Brian Eno’s concept of Generative (Visual) Music has “bloomed” into an app that fully materializes his vision. For example, his album “Neroli” re-emerges as a generative audiovisual piece.

Bubble Harp (Scott Snibbe Studio)

• Classic project by Scott Snibbe, influential for Golan Levin and many others, converted into iPhone app.

Gliss (TeaTracks)

• “Sound drawing” synth.

Gravilux (Scott Snibbe Studio)

• Generative visuals, based on a galaxy metaphor. Can be upgraded to music visualizer.

Groove Coaster (Taito)

• Music game, a rail-shooter inspired by Rez.

Infinity Gene (Taito)

• Variation on Space Invaders. What is most interesting is that the levels are generated by the music.

Insktrumental (ustwo/Jon Burgerman)

• In a children oriented app, you can define 8 diferent loops, played by virtual “musicians” in a stage, and choose one out of 3 background songs. There is a simple sequencer for each character. Read the Creative Review article here.

Konstruct (James Alliban)

• Here the sound is an input, that generated 3D shapes in virtual space via AR.

Node Beat (AffinityBlue)

• “Created by Seth Sandler and Justin Windle, NodeBeat is an experimental node-based audio sequencer and generative music application.” From http://nodebeat.com/, a free desktop version can be downloaded, including source code.

OscilloScoop (Scott Snibbe Studio)

• Sound oscillator drawing project by Scott Snibbe.

Osmos (Hemisphere Games)

• Sound game puzzle

pimbaKalimba (Rux)

• “pimbaKalimba is an audiovisual instrument to be played with your thumbs. (…) The sounds were designed to be eminently playable and harmonious, with the springy metal feel of a real kalimba in mind, but also with an added element of unpredictability and interest. (…) pimbaKalimba was inspired by the interaction with the traditional african instrument mbira / Kalimba”.

PixelWave (Alexander Zolotov)

• Waveform drawing app. Midi compatible.

Pulsate (Audiotool.com)

• Audiovisual synth/sequencer based on collisions of animated circles, by developer André Michelle, who has been very active developing audio/audiovisual tools for the web (mostly Flash-based), such as AudioTool, ToneWheels and ToneMatrix.

Reactable (Reactable Systems)

• iOS version of the famous Reactable, by Reactable Systems.

Sonic Wire (Amit Pitaru)

• iPhone app of the classic Amit Pitaru 3D spinning, sound drawing project.

Synth Pond (Zach Gage)

• “synthPond is a relaxing spatial sequencer and generative audio toy inspired by the work of Toshio Iwai.”

Thicket (Interval Studios)

• Generates simultaneous visuals and sound with multiple touches. Has been renamed “Thicket classic”, with other versions offering more sonic variety. “Thicket is an audiovisual world of texture, movement, line and tone”.

“Audio-Visions”, a Vimeo Channel: 
http://vimeo.com/channels/audiovisions

My “Audio-Visions” focused YouTube channel: 
http://www.youtube.com/nunocorreiatv

Download the article:

AV clash, online audiovisual project: a case study of evaluation in new media art

Nuno N. Correia
ACE ’11 Proceedings of the 8th International Conference on Advances in Computer Entertainment Technology, 2011

Slides from the presentation:
http://www.nunocorreia.com/presentations/av-clash-online-audiovisual-project-a-case-study

Conference link: ace2011.org
Link to related project: www.avclash.com

Abstract:
This paper presents an evaluation of new media art project AV Clash. AV Clash is a Web-based artistic project that allows the creation of audiovisual compositions, consisting of combinations of animations with sounds retrieved from online database Freesound.org. The evaluation is based on the answers to an online questionnaire. It has an experience focus, while also taking into account usability aspects. The questionnaire was structured following five main areas: sound, visuals and multisensoriality; amount and customization of content; flexibility of manipulation; usability and interactivity; creativity, playfulness and engagement. The concept of aesthetic interaction, relevant to the project and its evaluation, is presented. The results of the questionnaire are then discussed, followed by a reflection on the methodology used. Conclusions are reached regarding the five different areas of the questionnaire, and the adequacy of its experience focus. Usability problems are also identified and discussed. Finally, paths for further work are outlined.

Slides for the presentation:

Conference link: ace2011.org
Link to related project: www.avclash.com

Poster for the presentation:

Conference link: http://www.mindtrek.org/2011/academic
Link to related project: http://www.videojackstudios.com/masterandmargarita/

Poster from the presentation:
http://www.nunocorreia.com/presentations/master-and-margarita-an-audiovisual-adaptation

Conference link: http://www.mindtrek.org/2011/academic
Link to related project: http://www.videojackstudios.com/masterandmargarita/

Abstract:
This paper presents Master and Margarita, an interactive audiovisual project for web and performance adapting Mikhail Bulgakov’s novel of the same name. It aims to address two main research questions. First: how to integrate music and motion graphics in an interactive audiovisual project for the web and performance, in a way that is versatile, easy to use and engaging to experience? Second: how to adapt a novel into an interactive audiovisual project, not only being faithful to the narrative, but also creating a coherent and autonomous work, expressing the artistic vision of its authors? In this paper, the collaborative process between the authors of the project is discussed, as well as their motivations. The development of the project, in its different iterations, is analyzed. Conclusions are then presented, assessing the answers to the research questions. Future work is also discussed.

Available at:
http://isea2011.sabanciuniv.edu/paper/avol-towards-integrated-audiovisual-expression [Accessed September 24, 2011].

Conference link: http://isea2011.sabanciuniv.edu/
Link to related project: http://www.videojackstudios.com/avol/

Abstract:
AVOL is an interactive audiovisual project for the Web by Video Jack (Nuno N. Correia and André Carrilho). Its main objective is to allow for an integrated musical and visual expression, in a way that is playful to use and engaging to experience. In this paper, the project is presented and contextualized with related works. Its design is then discussed. Finally, results of the project’s evaluation are outlined, allowing conclusions to be reached.

Slides for the presentation:

Conference link: http://isea2011.sabanciuniv.edu/
Paper link: http://isea2011.sabanciuniv.edu/paper/avol-towards-integrated-audiovisual-expression

Link to related project: http://www.videojackstudios.com/avol/